Three female directors among the possible choices that could end 30 years of drought

France was a great power Oscars“The distinguished international race for decades. This year, three famous films by directors – Céline Siyama, Audrey Dewan and Julia Docornu – would top the list to represent the country at the next 94th Gala, scheduled for March 27. Most nominated country in the history of this category, she hasn’t escaped the award for nearly 30 years. Could that change this year?

The French candidacy is determined annually by the National Cinema Center. The committee will hold its first meeting on Thursday to select a shortlist of films in advance, with producers “tested” by the committee on October 12, before making a final decision. Sciammalittle mom, “Docornau”Titanium“And Diwan”Happen or happen“Happening” is a favorite to watch. “Happening” is picked up by IFC Films and Film Nation while Neon distributes “Petite Maman” and “Titane”. Film Festival. The award was also given to Bong Joon-ho’s Parasite in 2019, before that film became the first foreign language film to win the Best Picture award. IFC also released “Blue is the Warmest Color” (2013), which was notoriously unrecognizable. He was chosen as Oscar by France in his year, despite the Palme d’Or at Cannes.

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This year, the French commission added four new members to its roster – Oscar winner Florian Zeller (“Le Père”), Oscar nominees Julie Delpy and Emily Georges (CEO of Memento International) and Gregory Chambet (co-founder by WTFilms). They were joined by the founding members Thierry Frémaux (Director of the Cannes Film Festival), Serge Tubiana (President of Unifrance) and Véronique Cayla (Co-President of the Académie des César).

In recent memory, I can’t remember three female film projects that pioneered the representation of the country, especially three very different genres.

“Happening” – Credit: Courtesy of Wild Bunch

Courtesy of Wild Bunch

“Happening” premiered at this year’s Venice Film Festival, won a Golden Lion and is one of five women to have won it since 1949. Films by ‘cruel and emotionally intelligent art that candidly deals with the subject of access to abortion,’ wrote Jay Lodge in his book diverse Reconsider.

Docornau made history as the second female director to win the Palme d’Or (after Jane Campion tied Chen Cage for “The Piano” in 1993). How could France not want such a historic achievement to represent its mother tongue? Happening and Titan both travel the rewards circuit with powerful accolades. However, a pricing strategist said Diwan’s film “is the safest choice for France”.

“Titane”, which presents two successes by Agathe Rousselle and Vincent Lindon, is a genre work with the neon Tom Quinn that its screenwriter and director calls “the future of cinema”. The disturbing imagery can be difficult for the casual and conservative members of the academy who go through the process, but they may be open to bold new voices.

The truth is that the French have not particularly accepted projects led by women in the price space. Denise Jamzy Ergofen’s “Mustang” (2015) is the latest film directed by a woman to represent France. France is the only country to have deposited a film each year since the creation of this category, that is to say 65 films deposited, with 38 winning films and nine winning films (“Mon uncle” 1958, “Orphée noir” 1959, “Dimanche” and Cybèle ”in 1962,” The man and the woman ”in 1966,” The charm of the secret bourgeoisie ”in 1972,” The day to the night ”in 1973,” Madame Rosa ”in 1977,” Take out your handkerchiefs ”in 1978 and ”Indochina” The cinema received three honorary distinctions before the introduction of this category in 1956 for “The forbidden games” (1952), “The walls of Malabaja” (1950) and “M. Vincent” (1948).

In the history of international cinema, France was represented by only nine female directors:

  • Marjan Satrapi (directed by Vincent Baronud)
    “Persepolis” (2007) – not nominated

  • Daniel thompson
    “Avenue Montaigne” (2006) – shortlisted

  • Agnes Jawi
    “A Taste of Others” (2000) – Nominated

  • Josiane Balasco
    “French Twist” (1995) – Unfiltered

  • Colin Sirio
    “Three men and a cradle” (1985) – Nominated

  • Diane corres
    Among Us (1983) – Candidate

  • Marguerite Duras
    “Song of India” (1975) – not nominated

No woman has ever won the French international championship, so how did it go? Sciamma’s latest film “Portrait of a Lady on Fire” (2019) garnered critical and public acclaim and won the Queer Palm Award at Cannes, along with many other notable names including the Golden Globes and BAFTA. But the committee chose instead “Les Misérables” by Ludge Lee, who had already won an Oscar nomination.

“Little Mother” – Credit: Berlin Film Festival

Berlin Film Festival

Multiple sources have shared that Sciamma has not been appreciated in her home country throughout her career and this is proven by her other acclaimed and previously unselected works such as “My Life as Courgette” (2016) and “Girlhood” (2014). So are they eager to catch up after the “Portrait” scorn, or is the smart fighter’s speculation correct, and there is no way for “Little Mommy” to find attraction?

Countries can often shock the awards scene. Spain, which recently decided to present “The Good Boss” by Fernando Leon de Aranoa instead of Parallel Mothers by Pedro Almodovar, has been one of the most exciting.

“Benedetta” – Image source: Courtesy of Pathé

Courtesy of Pathé

Other possibilities that would be shortlisted include Jacques Audiard’s drama “Paris, the thirteenth arrondissement”, “Lost illusions” by Xavier Giannulli, inspired by Honoré de Balzac, presented in competition in Venice and the illustrated gay nuns drama by Paul Verhoeven, “Benedetta”. Verhoeven represented the country with “Elle” (2016) but failed to be nominated, despite the recognition of its lead actress, Isabel Hubert. Alice Diop’s documentary “We” and François Ozon’s drama “Everything Went Fine” should be taken into consideration.

Academy members choose to register to watch and vote for the international bid, which last year saw the largest class of 93 countries, which saw Denmark win “another round” of the nominee for Best Director Thomas Winterberg. The preliminary vote for the list of international feature films will take place from December 10 to 15, with the remaining 15 films being announced on December 21.

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Three female directors among the possible choices that could end 30 years of drought

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